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curating [2021/05/03 14:40] – [PODCAST Kunst & Radio (München)] ralfcurating [2021/05/03 15:34] – [Double Road] ralf
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 Gefördert durch das Kulturreferat der Landeshauptstadt München und durch das Goethe-Institut / Max Mueller Bhavan Bengaluru (Indien) im Rahmen der BangaloREsidency_expanded in Kooperation mit dem Artist-in-Residence Programm im Ebenböck-Haus und dem Künstler Ralf Homann (ExperimentalRadio | Munich) Gefördert durch das Kulturreferat der Landeshauptstadt München und durch das Goethe-Institut / Max Mueller Bhavan Bengaluru (Indien) im Rahmen der BangaloREsidency_expanded in Kooperation mit dem Artist-in-Residence Programm im Ebenböck-Haus und dem Künstler Ralf Homann (ExperimentalRadio | Munich)
  
-==== Pirating Presence: "re:coding" ====+==== Pirating Presence: re:coding ====
  
 == Margret Eicher, Adi Hoesle, Isabel Kerkermeier, Stefan Römer, Heidi Sill, Susanne Wehr, Toni Wirthmüller ==  == Margret Eicher, Adi Hoesle, Isabel Kerkermeier, Stefan Römer, Heidi Sill, Susanne Wehr, Toni Wirthmüller == 
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 mit Unterstützung von Ralf Homann mit Unterstützung von Ralf Homann
  
- +==== Exhibition On Flash Drive ==== 
 + 
 +Art as Instruction 
 + 
 +Venkatappa Art Gallery (VAG), Bengaluru 
 + 
 +Opening: Wednesday 20th March 2019 
 +Exhibition on till 28th March 2019 
 + 
 +**Neveen Kumar A., Vineesh Amin, Vichar BN, Ina Ettlinger, Anjana Kothamachu, Antonia Low, Hareesh V Malappanavar, Alaka Rao, Thomas Rentmeister, rasso rottenfusser, Hans HS Winkler** 
 + 
 +Exhibition on flash drive is an exhibition project with works by artists from Germany and India.  
 +The first exhibition location is Venkatappa Art Gallery in Bengaluru. Artists recently successfully  
 +prevented privatisation of this state museum and were able to put in place a model based on an  
 +artist-run space. In this exhibition, around twelve works will be shown that have been produced by  
 +qualified, third-party craftspeople based on instructions provided by the artists – i.e., so-called  
 +“instruction-based art”. This method – which has been familiar since the time of Conceptual Art –  
 +will be transformed in Curry On (Working Title) to reflect our digitalised everyday lives: by using  
 +the formal principles of responsive design and object-based media production, the artworks will be  
 +freed from every last essence of existence as ‘originals’ and will thus avoid any form of tradability  
 +on the art market. 
 + 
 +{{::1100849.jpg?direct&600|}} 
 + 
 +{{::1100893.jpg?direct&600|}} 
 + 
 +The goal of this cultural exchange is to experiment with an innovative, flexible and open exhibition  
 +format that is particularly suitable – in the context of global media developments – for exhibiting  
 +contemporary art and conveying it in various cultural contexts, questioning the relationship between 
 +artists, recipients and curators, networking those interested in this type of dialogue and also opening 
 +up paths for exhibiting art that do not depend on the creation of an aura or on auratic effect. 
 + 
 +{{::p1110258.jpg?direct&400|}} 
 + 
 +{{::p1110297.jpg?direct&400|}} 
 + 
 +{{::p1110293.jpg?direct&400|}} 
 + 
 +**Curatorial approach** 
 +“Curating in a flash drive” will take the form of an exhibition using a USB stick that is used to store 
 +and transport all the information necessary for the exhibition1. The explicit naming of the data- 
 +carrying device makes reference to complex processes: whereas data media such as paper, photos or 
 +CDs/DVDs can be discarded after the exhibition is over or else stored as auratic artefacts, the flash  
 +drive is deleted and re-used without any auratic preservation. A flash drive – a familiar everyday  
 +device worldwide – is as ephemeral as it is flexible and sustainable, and thus embodies the overall  
 +concept of the exhibition. 
 + 
 +“Vector-Curating” is a neologism that interweaves two semantic fields. On the one hand, it  
 +emphasises the function of the curator as a carrier of instructions for action (vector: “carrier”,  
 +“driver”): from the artists to the works to be realised on site, continuing on into the design of the  
 +presentation of these works, and finally in the manner of conveyance to the audience, and vice  
 +versa. What is involved here is a transmission function, and not an interpretation of instructions for  
 +action. 
 + 
 +On the other hand, the term “Vector-Curating” makes reference to IT-based approaches (“vector- 
 +based file formats”) that are shifted into the context of visual arts by “Vector-Curating”. This term  
 +thus describes the explicit property of the instructions for action that form the basis of the exhibition 
 +project: scalability in the exhibition room and the inherent ability to be presented on various  
 +displays. As a result, the exhibition is implemented not as a charged location for rapture, for the  
 +creation of dominance or for the confirmation of market and competition logic, but instead as a  
 +spatial medium for discourse and networking. 
 + 
 +{{::p1110267.jpg?direct&400|}} 
 + 
 +{{::p1110309.jpg?direct&400|}}
  
-  
  
 ===== 2018 ===== ===== 2018 =====
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 ===== 2017 ===== ===== 2017 =====
 +
  
 ==== Film- und Vortragsreihe: Prospective Perspectives ==== ==== Film- und Vortragsreihe: Prospective Perspectives ====
Last modified: 2021/05/03 15:36
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